Festival organsiers are happy that a month and a half since this year’s move to July 2021, they have managed to fulfill what they promised – to reaffirm all the main stars! Of course, dozens of other bands and musicians will be added to the program, whether they were announced for this year or even those that they did not even manage to announce. So you still have something to look forward to – maybe even some surprises.

Billions of songs played on YouTube or Spotify, the biggest concert halls sold out in a flash, Grammy Award, nominations for the Brit Awards, but above all incredible, captivating performances … all this belongs to TWENTY ONE PILOTS, which consists of singer and multi-instrumentalist Tyler Joseph and drummer Josh Dun.

Organsiers are very much looking forward to seeing them, because their euphoric concerts are a complete experience. During which with just the two of them, supported by a perfectly visually and lightly coordinated show, that includes lots of disguises, fancy costumes, sometimes a burning car and the captivating energy with which Josh drums, throws and throws Tyler alternates one instrument after another.

TWENTY ONE PILOTS alternate with electropop, reggae, hip hop, drum & bass, punk or hymn piano ballads with natural originality and unbeatable speed. “Some people say there’s nothing new to come up with, and we’re constantly trying to prove them wrong,” they say. Think of perhaps any world music award, and it’s highly likely that TWENTY ONE PILOTS either won it, or were at least nominated for it. Their excellent music videos Stressed Out and Heathens have a billion views on YouTube and others are successfully following them. And it wasn’t a problem for them to become number one on iTunes in sixty countries around the world.

TWENTY ONE PILOTS come from Ohio, USA and were named after the tragic story from Arthur Miller’s drama All My Sons, when twenty-one pilots were killed by human fault. They have described their incredibly graduating career succinctly since 2009: “We tried to capture the local scene, then the regional one, and we don’t remember anything anymore. It all came so fast”